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  • What multitrack recording tells me about music (and life)

    TL;DR: Over the years, I’ve spent a lot of time (far too much) putting together multitrack recordings, and I’ve come to realise that there’s almost no value in them other than a personal challenge. Enjoyment I’d like to define three classifications of musical enjoyment: Nearly one out of four I guess the multitrack experience just-about

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  • William Tell in 2003

    Here’s one of my first ‘serious’ multitrack trombone quartet recordings. With reference to this blog post, I think the reasons I did it were: There are some others from the same era here As for the 4-movement Charpentier piece, the motivation was

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